DAICON IV オープニングアニメ （リマスター音源） Details on this project: I had planned for many years to try my hand at developing remastered renditions of the Daicon III and IV films. I knew that the easy part, if it could be called that, would be the audio, particularly in the case of Daicon IV. Daicon III represents a likely impossible challenge due to the fact that it utilizes many sound effects, the origins of which will probably never be known, never mind accessible. Most of the music cues in Daicon III are also proving somewhat difficult to secure in acceptable quality (non-LP, for a start). Daicon IV uses no sound effects and only three tracks of music, from two albums. After securing a 160kbps MP3 of one, and lossless iterations of the others, I decided it was time to begin. The inexact nature of the utilization of the cues in the film posed unique challenges. For one thing, none of the tracks used in the film play at their proper speeds. For another, several subtle edits were made to each track, in order to force them to better fit the pacing of the visuals in Daicon IV, and these edits had to be identified and matched with precision. Some of the audio is even stereo reversed, or phase inverted. These anomalies were faithfully reproduced. Everything was done in 32 bit mode. The result is pristine-sounding stereo audio whose timings are such a close match for the original that a person could almost use one to cancel out the other, barring some notable differences ...
Sunday, January 20, 2013
DAICON IV opening animation with remastered stereo audio
DAICON IV opening animation with remastered stereo audio Video Clips. Duration : 5.93 Mins.
DAICON IV オープニングアニメ （リマスター音源） Details on this project: I had planned for many years to try my hand at developing remastered renditions of the Daicon III and IV films. I knew that the easy part, if it could be called that, would be the audio, particularly in the case of Daicon IV. Daicon III represents a likely impossible challenge due to the fact that it utilizes many sound effects, the origins of which will probably never be known, never mind accessible. Most of the music cues in Daicon III are also proving somewhat difficult to secure in acceptable quality (non-LP, for a start). Daicon IV uses no sound effects and only three tracks of music, from two albums. After securing a 160kbps MP3 of one, and lossless iterations of the others, I decided it was time to begin. The inexact nature of the utilization of the cues in the film posed unique challenges. For one thing, none of the tracks used in the film play at their proper speeds. For another, several subtle edits were made to each track, in order to force them to better fit the pacing of the visuals in Daicon IV, and these edits had to be identified and matched with precision. Some of the audio is even stereo reversed, or phase inverted. These anomalies were faithfully reproduced. Everything was done in 32 bit mode. The result is pristine-sounding stereo audio whose timings are such a close match for the original that a person could almost use one to cancel out the other, barring some notable differences ...
DAICON IV オープニングアニメ （リマスター音源） Details on this project: I had planned for many years to try my hand at developing remastered renditions of the Daicon III and IV films. I knew that the easy part, if it could be called that, would be the audio, particularly in the case of Daicon IV. Daicon III represents a likely impossible challenge due to the fact that it utilizes many sound effects, the origins of which will probably never be known, never mind accessible. Most of the music cues in Daicon III are also proving somewhat difficult to secure in acceptable quality (non-LP, for a start). Daicon IV uses no sound effects and only three tracks of music, from two albums. After securing a 160kbps MP3 of one, and lossless iterations of the others, I decided it was time to begin. The inexact nature of the utilization of the cues in the film posed unique challenges. For one thing, none of the tracks used in the film play at their proper speeds. For another, several subtle edits were made to each track, in order to force them to better fit the pacing of the visuals in Daicon IV, and these edits had to be identified and matched with precision. Some of the audio is even stereo reversed, or phase inverted. These anomalies were faithfully reproduced. Everything was done in 32 bit mode. The result is pristine-sounding stereo audio whose timings are such a close match for the original that a person could almost use one to cancel out the other, barring some notable differences ...
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